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	<title>Dicionário de Favelas Marielle Franco - Contribuições do usuário [pt-br]</title>
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	<updated>2026-05-06T22:59:55Z</updated>
	<subtitle>Contribuições do usuário</subtitle>
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		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=10427</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
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		<updated>2021-08-20T12:55:26Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: &#039;&#039;&#039;Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e pontos&amp;amp;nbsp;de referencia e mapeamento&amp;amp;nbsp;de logradouros à revelia dos critérios estabelecidos pela prefeitura&amp;amp;nbsp;vem sendo objeto de curiosidade popular&amp;amp;nbsp;e em alguns casos de interesse acadêmico.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa&amp;amp;nbsp;para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pelo Estado&amp;amp;nbsp;surgem e se fixam e se transformam nomes próprios para lugares e evventos dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente cobertas&amp;amp;nbsp;por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano. Mesmo que Bruk (vide item 29 desta lista).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&amp;amp;nbsp;&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Noé&amp;amp;nbsp;e Jessé, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho)&amp;amp;nbsp;&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que&amp;amp;nbsp;não se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casa tipo DUPLEX&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;_&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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[[Category:Cidade de Deus]][[Category:Temática - Habitação]][[Category:Temática - Urbanização]][[Category:nomeação de lugares]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=10426</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
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		<updated>2021-08-20T12:53:07Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: &#039;&#039;&#039;Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e pontos&amp;amp;nbsp;de referencia e mapeamento&amp;amp;nbsp;de logradouros à revelia dos critérios estabelecidos pela prefeitura&amp;amp;nbsp;vem sendo objeto de curiosidade popular&amp;amp;nbsp;e em alguns casos de interesse acadêmico.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa&amp;amp;nbsp;para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pelo Estado&amp;amp;nbsp;surgem e se fixam e se transformam nomes próprios para lugares e evventos dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente cobertas&amp;amp;nbsp;por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano. Mesmo que Bruk (vide item 29 desta lista).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&amp;amp;nbsp;&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Noé&amp;amp;nbsp;e Jessé, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho)&amp;amp;nbsp;&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que&amp;amp;nbsp;não se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casa tipo DUPLEX&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;_&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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[[Category:Cidade de Deus]][[Category:Temática - Habitação]][[Category:Temática - Urbanização]][[Category:nomeação de lugares]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=10425</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
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		<updated>2021-08-20T00:13:29Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: &#039;&#039;&#039;Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente cobertas&amp;amp;nbsp;por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano. Mesmo que Bruk (vide item 29 desta lista).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&amp;amp;nbsp;&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Noé&amp;amp;nbsp;e Jessé, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho)&amp;amp;nbsp;&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que&amp;amp;nbsp;não se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casa tipo DUPLEX&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;_&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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[[Category:Cidade de Deus]][[Category:Temática - Habitação]][[Category:Temática - Urbanização]][[Category:nomeação de lugares]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=10359</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
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		<updated>2021-08-08T16:20:55Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: &#039;&#039;&#039;Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente cobertas&amp;amp;nbsp;por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;br /&gt;
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= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin: 0.5em 0px; -webkit-text-stroke-width: 0px; text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano. Mesmo que Bruk (vide item 29 desta lista).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&amp;amp;nbsp;&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Noé&amp;amp;nbsp;e Jessé, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho)&amp;amp;nbsp;&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que&amp;amp;nbsp;não se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;Casa tipo DUPLEX&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;_&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Times New Roman,Times,serif;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
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[[Category:Cidade de Deus]][[Category:Temática - Habitação]][[Category:Temática - Urbanização]][[Category:nomeação de lugares]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5235</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5235"/>
		<updated>2020-04-05T23:03:00Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 21.6667px;&amp;quot;&amp;gt;Movimento Associativista de Base Comunitária&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 13px;&amp;quot;&amp;gt;O Movimento Associativista de Base Comunitária&amp;amp;nbsp;na Cidade de Deus&amp;amp;nbsp;é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Perspectiva a partir do qual se demonstra desinteresse por acúmulo de capital para a formação de um patrimônio material próprio&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam no&amp;amp;nbsp;Colégio José de Alencar de propriedade privada,&amp;amp;nbsp;localizado na Rua Edgard Werneck, 1615. Atualmene, o prédio abriga o CVT - Centro Vocacional Tecnológico da FAETEC.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Algumas fontes criativas de captação&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Acorda Criolo&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Teatral Raiz da Liberdade&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo de Teatro Perspectiva&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Movimento Cineclubista&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Revista Nós - Grupo Cultural, projeto Blocos, Grêmios e Organizações do Samba&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Festa do Trabalhador - 1 de Maio&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Representatividade ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE,&amp;amp;nbsp; em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Crescimento Populacional, maior complexidade e diversidade política&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;  &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cidade de Deus]][[Category:Conselho de Moradores da Cidade de Deus]][[Category:Movimento associativista urbano]][[Category:Associativismo]][[Category:Associativismo comunitário]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5234</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5234"/>
		<updated>2020-04-05T23:01:06Z</updated>

		<summary type="html">&lt;p&gt;Wellington: Atualização sobre o local utilizado para assembleias gerais e reuniões de diretoria do COMOCIDE&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 21.6667px;&amp;quot;&amp;gt;Movimento Associativista de Base Comunitária&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 13px;&amp;quot;&amp;gt;O Movimento Associativista de Base Comunitária&amp;amp;nbsp;na Cidade de Deus&amp;amp;nbsp;é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Perspectiva a partir do qual se demonstra desinteresse por acúmulo de capital para a formação de um patrimônio material próprio&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam no&amp;amp;nbsp;Colégio José de Alencar de propriedade privada,&amp;amp;nbsp;localizado na Rua Edgard Werneck, 1615. Atualmene, o prédio abriga o CVT - Centro Vocacional Tecnológico da FAETEC.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Algumas fontes criativas de captação&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Acorda Criolo&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Teatral Raiz da Liberdade&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo de Teatro Perspectiva&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Movimento Cineclubista&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Revista Nós - Grupo Cultural, projeto Blocos, Grêmios e Organizações do Samba&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Festa do Trabalhador - 1 de Maio&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
== Representatividade ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Crescimento Populacional, maior complexidade e diversidade política&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;  &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cidade de Deus]][[Category:Conselho de Moradores da Cidade de Deus]][[Category:Movimento associativista urbano]][[Category:Associativismo]][[Category:Associativismo comunitário]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5233</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
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		<updated>2020-04-05T22:54:46Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 21.6667px;&amp;quot;&amp;gt;Movimento Associativista de Base Comunitária&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 13px;&amp;quot;&amp;gt;O Movimento Associativista de Base Comunitária&amp;amp;nbsp;na Cidade de Deus&amp;amp;nbsp;é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Perspectiva a partir do qual se demonstra desinteresse por acúmulo de capital para a formação de um patrimônio material próprio&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam num colégio particular localizado na Rua Edgard Werneck, 1615.&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Algumas fontes criativas de captação&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Acorda Criolo&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Teatral Raiz da Liberdade&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo de Teatro Perspectiva&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Movimento Cineclubista&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Revista Nós - Grupo Cultural, projeto Blocos, Grêmios e Organizações do Samba&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Festa do Trabalhador - 1 de Maio&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
== Representatividade ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Crescimento Populacional, maior complexidade e diversidade política&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;  &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cidade de Deus]][[Category:Conselho de Moradores da Cidade de Deus]][[Category:Movimento associativista urbano]][[Category:Associativismo]][[Category:Associativismo comunitário]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5232</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
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		<updated>2020-04-05T22:50:02Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 21.6667px;&amp;quot;&amp;gt;Movimento Associativista de Base Comunitária&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 13px;&amp;quot;&amp;gt;O Movimento Associativista de Base Comunitária&amp;amp;nbsp;na Cidade de Deus&amp;amp;nbsp;é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Perspectiva a partir do qual se demonstra desinteresse por acúmulo de capital para a formação de um patrimônio material próprio&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam num colégio particular localizado na Rua Edgard Werneck, 1615.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Outras fontes criativas de captação&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Acorda Criolo&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Teatral Raiz da Liberdade&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo de Teatro Perspectiva&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Movimento Cineclubista&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Revista Nós - Grupo Cultural, projeto Blocos, Grêmios e Organizações do Samba&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Festa do Trabalhador - 1 de Maio&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
== Representatividade ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Crescimento Populacional, maior complexidade e diversidade política&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;  &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cidade de Deus]][[Category:Conselho de Moradores da Cidade de Deus]][[Category:Movimento associativista urbano]][[Category:Associativismo]][[Category:Associativismo comunitário]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5231</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=5231"/>
		<updated>2020-04-05T22:45:21Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 21.6667px;&amp;quot;&amp;gt;Movimento Associativista de Base Comunitária&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;text-align: justify; font-size: 13px;&amp;quot;&amp;gt;O Movimento Associativista de Base Comunitária&amp;amp;nbsp;na Cidade de Deus&amp;amp;nbsp;é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/span&amp;gt; =&lt;br /&gt;
&lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Perspectiva a partir do qual se demonstra desinteresse por acúmulo de capital para a formação de um patrimônio material próprio&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam num colégio particular localizado na Rua Edgard Werneck, 1615.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Outras fontes criativas de captação&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Acorda Criolo&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo Teatral Raiz da Liberdade&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Grupo de Teatro Perspectiva&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Movimento Cineclubista&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Revista Nós - Grupo Cultural, projeto Blocos, Grêmios e Organizações do Samba&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Festa do Trabalhador - 1 de Maio&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
== Representatividade ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Crescimento Populacional, maior complexidade e diversidade política&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;  &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cidade de Deus]][[Category:Conselho de Moradores da Cidade de Deus]][[Category:Movimento associativista urbano]][[Category:Associativismo]][[Category:Associativismo comunitário]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=3213</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=3213"/>
		<updated>2020-01-12T23:12:50Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&#039;&#039;&#039;Autor: Wellington de Moraes França&#039;&#039;&#039;&amp;lt;/p&amp;gt; &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Instituições formais - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
*Organizações informais - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do livro de ouro. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria aconteciam num colégio particular localizado na Rua Edgard Werneck, 1615.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;GRUPO ACORDA CRIOULO&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;GRUPO TEATRAL RAIZ DA LIBERDADE&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;GRUPO DE TEATRO PERSPECTIVA&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;MOVIMENTO CINECLUBISTA&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/p&amp;gt; &lt;br /&gt;
== &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;REVISTA NÓS&amp;amp;nbsp;GRUPO CULTURAL PROJETO BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&amp;lt;/span&amp;gt; ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;FESTA DO TRABALHADOR - 1º DE MAIO&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/p&amp;gt; &lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;COMOCIDE - Conselho de Moradores da Cidade de Deus&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus. &lt;br /&gt;
&lt;br /&gt;
== REPRESENTATIVIDADE ==&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/p&amp;gt; &lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral. &lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo. &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/p&amp;gt; &lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
= &amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Conselho Comunitário Gabinal e Margarida (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação de Moradores e Amigos Monte Sião (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;Associação União das Bases (Presidente: José Carlos)&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMCD - Associação de Moradores Cidade de Deus&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;Surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align: justify;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:smaller;&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Category:Associativismo comunitário]] [[Category:Cidade de Deus]] [[Category:Conselho de Moradores da Cidade de Deus]] [[Category:Movimento associativista urbano]]&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2481</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2481"/>
		<updated>2019-11-07T04:22:52Z</updated>

		<summary type="html">&lt;p&gt;Wellington: Os itens 4 e 29 fazem parte da mesma região originalmente conhecida como Pantanal.2) Feita a correção sobre a localização da Esquina de Londres que fica no cruzamento da Rua Jessé com a Rua Noé (e não com a Rua Josías, como descrito antes.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;OU&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;E MICRO REGIÕES DA CIDADE DE DEUS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano. Mesmo que Bruk (vide item 29 desta lista).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&amp;amp;nbsp;&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Noé&amp;amp;nbsp;e Jessé, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho)&amp;amp;nbsp;&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que&amp;amp;nbsp;não se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2445</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2445"/>
		<updated>2019-11-03T19:01:37Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; 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&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;E MICRO REGIÕES DA CIDADE DE DEUS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 17&amp;amp;nbsp;Árvores&amp;amp;nbsp; - &#039;&#039;&#039;(Ofical: Praça Marsena)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho).&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2444</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2444"/>
		<updated>2019-11-03T18:58:51Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
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= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
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&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; 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&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 23 Árvores&amp;amp;nbsp; -&amp;amp;nbsp;&#039;&#039;&#039;Ofical: Praça Marsena (Até a ultima edição deste verbete, 3 de Novembro de 2019, a praça conta com 17 árvores).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho).&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2443</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2443"/>
		<updated>2019-11-03T18:17:28Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;OU&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;E MICRO REGIÕES DA CIDADE DE DEUS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 23 Árvores&amp;amp;nbsp;&#039;&#039;&#039;(Até a ultima edição deste verbete, 3 de Novembro de 2019, a praça conta com 17 árvores).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho).&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2442</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2442"/>
		<updated>2019-11-03T18:06:13Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; 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&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;E MICRO REGIÕES DA CIDADE DE DEUS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: &#039;&#039;&#039;Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou &#039;&#039;&#039;Casinhas&#039;&#039;&#039;&amp;amp;nbsp;(2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família. Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Rala Coco&amp;amp;nbsp;-&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Esquina de Londres&#039;&#039;&#039;&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 23 Árvores&amp;amp;nbsp;&#039;&#039;&#039;(Até a ultima edição deste verbete, 3 de Novembro de 2019, a praça conta com 17 árvores).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho).&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk -&amp;amp;nbsp;&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2441</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2441"/>
		<updated>2019-11-03T18:00:37Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
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= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; 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&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;NOMEAÇÃO POPULAR DE LOGRADOUROS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;E MICRO REGIÕES DA CIDADE DE DEUS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ul style=&amp;quot;/* insecure input */&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ul&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;APARTAMENTOS, CASAS E TRIAGENS&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Triagens&#039;&#039;&#039;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras&#039;&#039;&#039;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Apartamentos:&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Geopolítica Atual dos Territórios&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Quinze -&amp;amp;nbsp;&#039;&#039;&#039;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área dos Apês (Apartamentos): AP 1 e AP 2.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Área do Karatê&#039;&#039;&#039;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a&amp;amp;nbsp;&#039;&#039;&#039;Área do Quinze&amp;amp;nbsp;&#039;&#039;&#039;e&amp;amp;nbsp;&#039;&#039;&#039;a&amp;amp;nbsp;&#039;&#039;&#039;Área da Treze.&amp;amp;nbsp;&#039;&#039;&#039;História: Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate.&amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Informações complementares:&amp;amp;nbsp;&#039;&#039;&#039;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como&amp;amp;nbsp;&#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o&amp;amp;nbsp;&#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor&amp;amp;nbsp;&#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039;&amp;amp;nbsp;que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos&amp;amp;nbsp;&#039;&#039;&#039;Apês da Gabinal;&amp;amp;nbsp;&#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal),&amp;amp;nbsp;&#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco&amp;amp;nbsp;&#039;&#039;&#039;Luar de Prata,&amp;amp;nbsp;&#039;&#039;&#039;(região da&amp;amp;nbsp;&#039;&#039;&#039;Laminha).&amp;amp;nbsp;&#039;&#039;&#039;Atendendo pedido do Professor Marcos,que desiste de continuar com karate, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o&amp;amp;nbsp;&#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DICIONÁRIO POPULAR&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;DOS LUGARES DA CDD&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;margin:0.5em 0px; -webkit-text-stroke-width:0px; text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Casinhas Novas&amp;amp;nbsp;&#039;&#039;&#039;ou “&#039;&#039;&#039;Casinhas&#039;&#039;&#039;” (2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Rocinha II&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tangará&#039;&#039;&#039;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Pantanal&#039;&#039;&#039;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Loira&#039;&#039;&#039;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça da Fé&#039;&#039;&#039;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Cidinho -&#039;&#039;&#039;&amp;amp;nbsp;(onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do “Rala Coco” -&amp;amp;nbsp;&#039;&#039;&#039;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;“Esquina de Londres&#039;&#039;&#039;”&amp;amp;nbsp;-&amp;amp;nbsp; nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Lazer -&#039;&#039;&#039;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinhos&amp;amp;nbsp;&#039;&#039;&#039;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho I&#039;&#039;&#039;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Tijolinho II&#039;&#039;&#039;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt; &amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça Seca&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça dos Garimpeiros&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Seu Dantas&amp;amp;nbsp;&#039;&#039;&#039;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;Praça do Quinze -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&#039;&#039;&#039;&amp;lt;font face=&amp;quot;Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:15.6px&amp;quot;&amp;gt;(Oficial: Malaquias).&amp;lt;/span&amp;gt;&amp;lt;/font&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Sítio do Coronel.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça das 23 Árvores&amp;amp;nbsp;&#039;&#039;&#039;(Até a ultima edição deste verbete, 3 de Novembro de 2019, a praça conta com 17 árvores).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Praça do Galo&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Ocupação Guarani&amp;amp;nbsp;&#039;&#039;&#039;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do&amp;amp;nbsp;&#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Brejo (ou Brejinho).&#039;&#039;&#039;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra da Treze&#039;&#039;&#039;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadra 163 e 167&#039;&#039;&#039;- Conjunto de triagens entre Rua Jeremias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Quadras 168 e 169 -&#039;&#039;&#039;Conjunto de triagens entre a Rua Josafá e o Mercado PREZUNIC.&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Laminha&#039;&#039;&#039;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;A Praça do 15&#039;&#039;&#039;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bariri&#039;&#039;&#039;-&amp;amp;nbsp;&#039;&#039;&#039;(antigo Barro Vermelho) -&amp;amp;nbsp;&#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de&amp;amp;nbsp;&#039;&#039;&#039;Morrinho&#039;&#039;&#039;&amp;amp;nbsp;encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;Mangueirinha -&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Morrinho.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;Bruk&#039;&#039;&#039;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra&amp;amp;nbsp;&#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP1&#039;&#039;&#039;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP2&#039;&#039;&#039;- (antes, conjunto da Policia Militar ou&amp;amp;nbsp;&#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;AP 3&#039;&#039;&#039;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;NOTAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Tahoma, Geneva, sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:larger&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;DAS CASAS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Em 25 de outubro de 1968 foi aprovado e concedido o &amp;quot;Habite-se&amp;quot; para ao Projeto de legalização das construções existentes no Núcleo Residencial daa 1ª e 2ª Glebas da Cidade de Deus. Construções executadas de acordo com o projeto que substitui o A 2743 4 e o P.A. 8578.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;ol style=&amp;quot;margin:0.3em 0px 0px 3.2em; padding:0px; list-style-image:none; color:#222222; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-variant-caps:normal; font-weight:400; letter-spacing:normal; orphans:2; text-align:start; text-transform:none; white-space:normal; widows:2; word-spacing:0px; -webkit-text-stroke-width:0px; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Blocos para Triagen tipos &amp;quot;A&amp;quot; e &amp;quot;B&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;F&amp;quot;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; ISOLADA&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA SEM QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 1 QUARTO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 2 QUARTOS&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casas tipo &amp;quot;G&amp;quot; GEMINADA 3 QUARTOS&amp;amp;nbsp;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;RESIDÊNCIA COMERCIO&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;CASA PRÉ-FABRICADA (EXPERIMENTAL).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Casa tipo DUPLEX&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&#039;&#039;&#039;FONTE&#039;&#039;&#039;:&amp;amp;nbsp; COAHAB - COMPANHIA DE HABITAÇÃO POPULAR DO ESTADO DA GUANABARA&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;Documentos Originais: Plantas de Urbanização e Numeração&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:14px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:inherit&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;color:#222222&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:sans-serif&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-style:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-ligatures:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-variant-caps:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-weight:400&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;orphans:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-transform:none&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;white-space:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;widows:2&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;word-spacing:0px&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;background-color:#ffffff&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-style:initial&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;text-decoration-color:initial&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2440</id>
		<title>Dicionário Popular dos Lugares da CDD</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Dicion%C3%A1rio_Popular_dos_Lugares_da_CDD&amp;diff=2440"/>
		<updated>2019-11-03T16:17:53Z</updated>

		<summary type="html">&lt;p&gt;Wellington: A Nomeação de Logradouros como Processo Poético e de Apropriação Popular do Território  ou uma ressignificação simbólica e identitária de territórios e locais de referencia sobre os logradouros da Cidade de Deus à revelia dos nomes oficiais.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
= &amp;lt;span style=&amp;quot;display: none;&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/span&amp;gt; =&lt;br /&gt;
&amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;DICIONÁRIO DE NOMES RUAS, PRAÇAS E TRAVESSAS DA CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;OU&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;NOMEAÇÃO POPULAR DE LOGRADOUROS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;E MICRO REGIÕES DA CIDADE DE DEUS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Pesquisa e Organização: Wellington de Moraes França&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Seria um modo de apropriação simbólica dos territórios ou uma demonstração de pertencimento e poder?&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;A Nomeação de Logradouros como Processo Poético e de Apropriação do Território ou Nomeação popular ou ainda uma ressignificação simbólica e identitária de territórios e locais de referencia e localização de logradouros à revelia dos critérios estabelecidos pela prefeitura local vem sendo objeto de curiosidade popular local e em alguns casos de interesse acadêmico.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Movido por este fenômeno rico de processo poético resolvi incluí-lo no que chamo provisoriamente de uma pesquisa participativa e popular para a criação de um acervo de bens patrimoniais culturais materiais e imateriais da CDD.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;A Cidade de Deus revela indícios de um fenômeno social de formação de várias identidades culturais que vem se transformando e ao mesmo tempo se consolidando em mais de cinco décadas de ocupação.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Apesar ou além dos nomes determinados pela prefeitura surgem e se fixam e se transformam nomes próprios para lugares dentro da comunidade que revelam tendências; historias; preferências culturais; fatos sociais ou pessoas marcantes.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &lt;br /&gt;
*&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Exemplos: Comunidade do Pantanal; Karate; Bariri; Laminha; Tijolinhos; Área da Treze; Barro Vermelho; Tangará; Praça Seca; Casinhas; Rocinha II; Praça dos Garimpeiros; Praça do Seu Dantas; Sítio do Coronel, Praça das 17 arvores; Esquina de Londres, dentre outros.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Também entidades, prédios como referencia de localização e eventos sociais com microseguimentações, algumas extintas, outras resistindo ao tempo ou com adaptações:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &lt;br /&gt;
*&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Festa do Dia do Trabalhador com várias atrações; Desfiles carnavalescos e desfiles cívicos; Pagode do Bar da Ritinha; Botequim do Charme do Bar do Bill; Forró do Perereca, Forró do Celso (Rocinha II); Comunidade de Sambistas (Mocidade Unida; Bloco Coroado; Bloco Luar de Prata; bailes de várias tendências; Grupos de Dança de Rua, Escola de Samba Mocidade Unida Jacarepaguá; Igreja Amarela; Porta do Céu; blocos carnavalescos; festas caipiras tradicionais; Grupos de teatro e literários (Grupo de Teatro Cultural Projeto, Revista literária NÓS; Grupo Teatral Raiz da Liberdade; Movimento Negro Acorda Crioulo; Grupo Aliança Ariri de Capoeira do Mestre Derli, dentre outros grupos; Clubes de Futebol Masculino, feminino e juvenil; Taidokan Karate Clube; Associação Rode de Karate, juntamente com dezenas de ONGs com ações sociais, culturais e desportivas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:18.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;APARTAMENTOS, CASAS E TRIAGENS&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Triagens&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- São quadras onde se encontram habitações nomeadas originalmente pela COHAB – assim chamadas para caracterizar a condição de “provisórias”. Localizam-se em vários pontos no conjunto habitacional, conjunto este, o das casas, com arquitetura original, sendo pequenas casas em centro de terreno e cobertura de telhas francesas. As triagens são formadas por grandes vagões com varias pequenas habitações de apenas dois cômodos. Cada unidade destas habitações são divididas por uma simples parede de alvenaria. Todas, originalmente coberturas por telhas de amianto. Foram ao logo das décadas sendo mantidas e identificadas com seus números originais:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Quadras&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;: (logo no inicio das ocupações os endereços dos imóveis eram identificados conforme uma nomenclatura especifica da engenharia civil ou uma corruptela para a designação técnica que define como quarteirão ou Quadrilóbulo - Nomenclatura para blocos de edifícios limitados por quatro ruas - muito embora, modernamente, a “quadra” é mais conhecida como áreas de esporte e lazer dentro das praças e condomínios, conjuntos habitacionais e clubes).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:8.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Apartamentos:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:18.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;A Geopolítica Atual dos Territórios&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Coincidentemente, na era pós-falência das UPPs entre final de 2017 e meiados de 2018 a geopolítica local apresenta nova configuração com ampliações dos nomes originais para três grandes áreas reconhecidas pela população local como: Apês, Treze e Karate.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Área do Quinze -&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;delimitada entre Rua Josias, Avenida Cidade de Deus, Prezuic e Av. Marechal Miguel Salazar Mendes de Moraes até a Praça Padre Julio Groten Ponto onde a Estrada Marechal Salazar termina e continua a Av. Edgard Werneck.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Área dos Apês (Apartamentos): AP 1 e AP 2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Área do Karatê&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Atualmente a Área do Karate fica entre a Avenida Cidade de Deus e a Estrada dos Bandeiras e a Rua Santa Ifigênia. Faz divisa simultaneamente com a &#039;&#039;&#039;Área do Quinze &#039;&#039;&#039;e &#039;&#039;&#039;a &#039;&#039;&#039;Área da Treze. &#039;&#039;&#039;História: Inicialmente um pequeno trecho nas imediações da esquina do Botafogo e próximo a Ponde Grande. Existem três antigos relatos que tentam explicar a origem do nome: Uma narrativa sobre recorrentes conflitos entre vizinhos do lugar. Uma segunda que menciona ser um local de domicílio ou de onde presumi-se, partiam jovens e adolescentes para realizarem arrastões nos bairros vizinhos usando golpes supostamente semelhantes às técnicas das Artes Marciais e uma terceira versão que é a de que naquela região ou proximidades morava ou ensinava um mestre de Karate. &#039;&#039;&#039;.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
##&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 72.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Informações complementares:&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Um dos primeiros mestres de karate que morou na Cidade de Deus que se tem notícia, era conhecido como &#039;&#039;&#039;Verdugo&#039;&#039;&#039;. Relatos sobre ele indicam que ensinava na verdade na Barra da Tijuca. Outro jovem foi o &#039;&#039;&#039;Professor Marcos&#039;&#039;&#039;, pertencia a uma escola denominada Karate Brasil criada pelo Professor Emerson Martins com sede em uma academia localizada na época no Méier. Ficou pouco tempo onde hoje é uma unidade da CUFA e sede da Associação de Moradores. Um segundo mestre, lecionava Karate no Centro Social Urbano, Professor &#039;&#039;&#039;Sergio Pinto&#039;&#039;&#039; que alem de ter sido um dos pioneiros desta arte na CDD também é o fundador do Bloco da Lata enquanto uma entidade carnavalesca organizada e com ensaios regulares nos &#039;&#039;&#039;Apês da Gabinal; &#039;&#039;&#039;Foram alunos do Prof. Sergio: Wellington França; Francisco e Luiz Pessanha, todos os três graduados no final dos anos setenta ou início dos anos oitenta como faixas verde com &amp;quot;batismo&amp;quot; feito pelo Mestre de Jiujutsu Oswaldo Fadda. Francisco ainda continuou ensinado o mesmo estilo de karate do Prof. Sergio no Centro Social Urbano (&#039;&#039;&#039;Apê do Gabinal), &#039;&#039;&#039;Afastou-se ficando em seu lugar o Professor Luiz Pessanha. Já o Sensei Wellington França optou por iniciar-se em um novo estilo, o Shotokan que estava sendo aplicado desde 1980 na extinta Academia Radan, localizada na Rua Caniú. Sensei Wellington, começa ensinar o novo estilo, informalmente como faixa verde em 1982 para duas crianças na residência de um de seus colegas de trabalho na Cobra Computadores. Com uma grande procura de crianças, passa eventualmente realizar treinos na quadra do extinto bloco carnavalesco &#039;&#039;&#039;Luar de Prata, &#039;&#039;&#039;(região da &#039;&#039;&#039;Laminha). &#039;&#039;&#039;Atendendo pedido do Professor Marcos,&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; times=&amp;quot;&amp;quot; new=&amp;quot;&amp;quot; roman&amp;quot;,&amp;quot;serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;que desiste de continuar com karate&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;, assume a turma com aulas à noite na sede da Associação de Moradores.&#039;&#039;&#039;Graduado faixa preta 1º DAN em 1987, funda com pais e alunos o &#039;&#039;&#039;TAIDOKAN KARATE CLUBE - Centro de Estudos de Artes Marciais. &#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;   &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:24.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;DICIONÁRIO POPULAR&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p align=&amp;quot;center&amp;quot; style=&amp;quot;text-align:center&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:24.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;DOS LUGARES DA CDD&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Casinhas Novas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;ou simplesmente “Casinhas” (2005 / 2006)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Rocinha II&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Tangará&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;: (pertence à área do karate) um morador e proprietário de uma birosca naquela micro região afirma ter sido ele o autor que cunhou o nome do lugar. Diz que testemunhou os primeiros movimentos de ocupação. Os homens passavam em romaria com foices, picaretas, pás e enxadas sobre os ombros. Uma vez comentou com seus fregueses no balcão: “Olha só! Até parece o povo de Tangará!”. Na época estava em cartaz a novela da Globo, O Salvador da Pátria. Esta novela faz referencia a duas cidades fictícias, uma delas Tangará. O tema de abertura da novela retratava o movimento dos operários entre as cidades.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Pantanal&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;: região que se assemelhava a um pântano.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça da Loira&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;. Praça onde se localiza a casa de uma senhora que vendia gás de cozinha. Carla Ciccos, do CddAcontece comenta sobre uma matéria que fez com o neto desta senhora que se formou nos Estados Unidos (também identificada como da família Digenari).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça da Fé&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(pesquisa em andamento).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça do Cidinho&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;. (onde se localiza a residência do Mc Cidinho da dupla Cidinho &amp;amp; Doca).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça do “Rala Coco”&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Acredita-se que o terreno baldio era reservado para o estacionamento das professoras da Escola Augusto Magno. Pavimentado com um asfalto rústico, era usado pela molecada para suas partidas de “pelada” conta o Escritor Edson Veoca que morava ali perto. Devido ao asfalto as crianças sempre que caiam ralavam o corpo e principalmente o “coco” ou seja, a cabeça. Posteriormente com a reforma do Jardim de Infância Monsenhor Cordiolli, a área em frente ganhou bancos. Permanece conhecida como a Praça do Rala Coco.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;“Esquina de Londres&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;”, nome dado à esquina entre as Ruas Josias e Jesse, foi cunhado pelo Cidinho Doca. Cidinho criou o bloco de Clovis “Os Cara Feia” para saídas no Carnaval nos anos noventa como uma alegoria em resposta bem humorada aos dois outros grupos de Clovis luxuosos que partiam respectivamente do Lazer e da 69 sempre com grande queima de fogos. A saída do bloco Caras Feia era da esquina entre Rua Jesse e Josias, o nome escolhido pelo Cidinho por razões ainda não esclarecidas, foi adotado pela comunidade. O “Cara Feia” extinto era formado com fantasias pobres e desfilava somente pela CDD. Conta Ismael, dono do Theiler ao lado da Associação de Moradores: “Anos noventa ,no carnaval, dois blocos de Clovis com fantasias luxuosas saiam da CDD para desfilarem em outros lugares: Os brabo partiam de um ponto perto do CRJ (Centro de Referência da Juventude – originalmente Fundação Leão XIII, depois Casa da Paz) .Os “Abusado” assim mesmo no singular, partiam da Quadra 69 e ainda hoje saem da quadra do Botafogo no Karate. Faziam uma queima de fogos para marcar a concentração e a saída. O Cidinho então resolveu criar o bloco dos “Caras Feia” Um tipo de Clovis de pobre com adereços, mascaras e fantasias pobres e improvisadas; o ponto de partida era na esquina da Rua Josias com a Jessé, batizado por Cidinho como a Esquina de Londres.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Lazer -&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;tradicionalmente um dos principais pontos de lazer da comunidade e prática esportiva. Constitui-se principalmente de uma quadra poliesportiva (basquete, vôlei e fut sal) e o campo de futebol. Originalmente projetada como praça. Seu nome oficial, Praça Ageu. Endereço também da Paróquia Pai Eterno e São José, primeira igreja católica apostólica romana fundada pelo Pe. holandês Júlio Grotten.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Tijolinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(I e II) - Uma das últimas tentativas do estado responder as reivindicações locais por uma melhor condição de vida aos habitantes das triagens resultou numa arquitetura premiada. Nomeada pela população por sua aparência.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
##&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 72.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Tijolinho I&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;, próximo da saída da linha amarela;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
##&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 72.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Tijolinho II&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;, na “Laminha” localizado no interior da área das casa&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;   &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça Seca&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(Oficial: Habor)&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(Oficial: Praça dos Profetas).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça do Seu Dantas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(Oficial: Magadã). Bem próximo da praça localiza-se uma loja onde existiu desde os anos sessenta um pequeno armazém. Seu proprietário foi um dos pioneiro na venda à crédito (o popular &amp;quot;fiado&amp;quot;). Segundo seu filho Cícero Lander, artista plástico, escultor e poeta, o prego estava sempre repleto de papel pendurado com o nome dos fregueses e a lista dos produtos vendidos. Muitas vezes tais dívidas eram perdoadas quando a família do comprador estava em extrema dificuldade seja por desemprego ou grave doença.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Sítio do Coronel.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça das 23 Árvores&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;(Até a ultima edição deste verbete, 3 de Novembro de 2019, a praça conta com 17 árvores).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Praça do Galo&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Ocupação Guarani&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Av.Comandante Guarany é a rua onde estão estabelecidas as empresas: Farmanguinhos (prédio onde nos anos oitenta era a matriz da Cobra Computadores; Eletromar e a GB logística mesmo prédio da antiga fábrica Cera Johnson. A Av. Cmte Guranys começa na Estrada dos Bandeirantes e estende-se até a Av. Ayrton Senna e saída para linha amarela. Nas suas laterais localiza-se a comunidade Vila da Conquista e recentemente a ocupação Guarany (contribuição de Magali Portela).Também um dos pontos de acesso ao Jardim do Amanhã, subconjunto habitacional da Cidade de Deus que também pertence à área do &#039;&#039;&#039;Karate.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Brejo (ou Brejinho).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Micro região com visível aspecto de ser na Cidade de Deus o lugar com o menor IDH. Situa-se entre a Comunidade Guarani, Casinhas e Conj. Itamar Franco (Apê III). Seu acesso também é possível por uma rua vicinal entre a Av. Ayrton Senna e Rua Comandante Guarani.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Quadra da Treze&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Conjunto de triagens entre Av. Cidade de Deus e Rua Edgard Werneck pertencente á&#039;&#039;&#039;rea da Treze.&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Quadra 163 e 167&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Conjunto de triagens entre Rua Josias, Travessa Quison, Av. Cidade de Deus e Mal Salazar Mendes de Moraes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Quadra 169 -&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Conjunto de triagens ao lado do Supermercado PREZUNIC.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Laminha&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Região próxima da praça onde era sede do Bloco Carnavalesco (já extinto) Luar de Prata. Área com grande incidência de entupimento dos esgotos e muita lama nas ruas e travessas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;A Praça do 15&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- fica na Área do Quinze. Única que não acompanha o padrão de ser próxima da quadra de mesmo número. Na segunda metade de 2018 a geopolítica se apresenta com nova configuração.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Bariri&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- &#039;&#039;&#039;(antigo Barro Vermelho) - &#039;&#039;&#039;Antes do asfaltamento e da ocupação de parte do território que hoje é tido como Morrinho, o barranco exposto na encosta que faz limite com o condomínio Bairro Araújo composto de saibro e um tipo de argila de cor avermelhada. Nos anos 2000, uma ocupação local de habitações irregulares, chamada na de &#039;&#039;&#039;Morrinho&#039;&#039;&#039; encobre a maior parte da encosta.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Morrinho.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;Bruk&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;região originalmente conhecida como Pantanal (I e II). Abreviação decorrente de corruptela da palavra &#039;&#039;&#039;Brooklin&#039;&#039;&#039;. Homenagem ou comparação ao bairro norte americano talvez por ser tanto lá como aqui uma região perigosa e dominada por facções criminosas.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;AP1&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Antigo Conjunto Gabinal &amp;amp; Margarida&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;AP2&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- (antes, conjunto da Policia Militar ou &#039;&#039;&#039;AP da PM&#039;&#039;&#039;) – projeto de moradia para originalmente atender servidores daquela corporação. Comenta-se que já se faz mais sentido manter este nome uma vez que a maioria da população original já não se encontra morando no local. Condomínio localizado no Final da Rua Pintor Leandro Joaquim. Atualmente, uma parcela dos moradores não se reconhece como parte da Cidade de Deus. Atribui-se a tais argumentos, justificativa para a troca do nome de “Apê da PM” para AP2.&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
#&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;tab-stops:list 36.0pt&amp;quot;&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;AP 3&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:13.5pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:&amp;quot; arial&amp;quot;,&amp;quot;sans-serif&amp;quot;&amp;quot;=&amp;quot;&amp;quot;&amp;gt;- Conjunto Itamar Franco - Na Área do Karate localiza-se entre Av. Cidade de Deus e Casinhas (Antiga Vacaria).&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt; &lt;br /&gt;
&amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt; &amp;lt;p style=&amp;quot;text-align:justify&amp;quot;&amp;gt;&amp;amp;nbsp;&amp;lt;/p&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1356</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1356"/>
		<updated>2019-05-27T04:18:46Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-size:larger;&amp;quot;&amp;gt;MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA&amp;amp;nbsp;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:larger;&amp;quot;&amp;gt;Autor: Wellington de Moraes França&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
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*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
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*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
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PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
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OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
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*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
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&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
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&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
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&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;GRUPO CULTURAL PROJETO&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/big&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size: 15.6px;&amp;quot;&amp;gt;Autor: Wellington de Moraes França&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;[https://revistanosdacdd.blogspot.com/2019/05/nomeacao-popular-de-logradouros-e-micro.html https://revistanosdacdd.blogspot.com/2019/05/nomeacao-popular-de-logradouros-e-micro.html]&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1355</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1355"/>
		<updated>2019-05-27T04:13:36Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;GRUPO CULTURAL PROJETO&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/big&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Media:Autor:_Wellington_de_Moraes_França|&amp;lt;span style=&amp;quot;font-size:larger;&amp;quot;&amp;gt;Autor: Wellington de Moraes França&amp;lt;/span&amp;gt;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1354</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1354"/>
		<updated>2019-05-27T04:09:29Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Media:Aultor:_Wellington_de_Moraes_França|Aultor: Wellington de Moraes França]]&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;GRUPO CULTURAL PROJETO&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/big&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Media:Autor:_Wellington_de_Moraes_França|&amp;lt;span style=&amp;quot;font-size:larger;&amp;quot;&amp;gt;Autor: Wellington de Moraes França&amp;lt;/span&amp;gt;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1353</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=1353"/>
		<updated>2019-05-27T04:02:44Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
[[Media:Aultor:_Wellington_de_Moraes_França|Aultor: Wellington de Moraes França]]&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;GRUPO CULTURAL PROJETO&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/big&amp;gt; &amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
#REDIRECT [[Media:Autor:_Wellington_de_Moraes_França|Media:Autor: Wellington de Moraes França]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=848</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=848"/>
		<updated>2019-03-27T22:05:09Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;GRUPO CULTURAL PROJETO&amp;lt;/span&amp;gt;&#039;&#039;&#039;&amp;lt;/big&amp;gt; &lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=847</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=847"/>
		<updated>2019-03-27T21:58:48Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
#REDIRECT &amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;(Conteúdo em desenvolvimento)&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=846</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=846"/>
		<updated>2019-03-27T21:48:52Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp;nbsp;&#039;&#039;&#039;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;[[Media:GRUPO_CULTURAL_PROJETO|&#039;&#039;&#039;GRUPO CULTURAL PROJETO&#039;&#039;&#039;]] (Conteúdo em desenvolvimento)&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=845</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=845"/>
		<updated>2019-03-27T21:39:52Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp; GRUPO CULTURAL PROJETO&#039;&#039;&#039; (Conteúdo em desenvolvimento)&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &#039;&#039;&#039;&amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot;&#039;&#039;&#039; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &#039;&#039;&#039;&amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;&#039;&#039;&#039;.Estes&amp;amp;nbsp;representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=814</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=814"/>
		<updated>2019-03-27T08:13:16Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas. &lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório. &lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
&lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição &lt;br /&gt;
*Rifas e bingos &lt;br /&gt;
*Excursões &lt;br /&gt;
*Livro de Ouro &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&#039;&#039;&#039;REVISTA NÓS &amp;amp; GRUPO CULTURAL PROJETO&#039;&#039;&#039; (Conteúdo em desenvolvimento)&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;BLOCOS, GRÊMIOS E ORGANIZAÇÕES DO SAMBA&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Mocidade Unida Acadêmicos da Cidade de Deus;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Coroado;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Luar de Prata;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco Chuchu Beleza&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Anjinhos&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco da Lata&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Garimpeiros&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco das Piranhas&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span style=&amp;quot;font-size:medium;&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;Bloco dos Inocentes&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;nbsp;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;REPRESENTATIVIDADE&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;big&amp;gt;Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde.&amp;lt;/big&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039;&amp;lt;/span&amp;gt; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil.&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;lt;span style=&amp;quot;font-family:Verdana,Geneva,sans-serif;&amp;quot;&amp;gt;&amp;lt;big&amp;gt;&amp;lt;span style=&amp;quot;background:white&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;line-height:normal&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;font-size:12.0pt&amp;quot;&amp;gt;&amp;lt;span style=&amp;quot;letter-spacing:-.1pt&amp;quot;&amp;gt;AMUNICOM&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/big&amp;gt;&amp;lt;/span&amp;gt;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: Cidade de Deus; associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=452</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=452"/>
		<updated>2019-02-20T01:32:28Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;REVISTA NÓS &amp;amp; GRUPO CULTURAL PROJETO&#039;&#039;&#039; (Conteúdo em desenvolvimento)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=451</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=451"/>
		<updated>2019-02-20T01:23:06Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados destinados e esgotados diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=450</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=450"/>
		<updated>2019-02-19T11:02:33Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039; - entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039; - nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus eram doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados eram destinados e se esgotavam diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=449</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=449"/>
		<updated>2019-02-19T11:01:47Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039;entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&#039;&#039;&#039;nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus eram doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados eram destinados e se esgotavam diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=448</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=448"/>
		<updated>2019-02-19T11:00:26Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039;entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&amp;quot; nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus eram doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados eram destinados e se esgotavam diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo comunitário; Conselho de Moradores da Cidade de Deus; Movimento associativista urbano&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=447</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=447"/>
		<updated>2019-02-19T10:58:16Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;O MOVIMENTO ASSOCIATIVISTA DE BASE COMUNITÁRIA na CIDADE DE DEUS é um fenômeno cujo conceito deve ser elaborado a partir de diferentes perspectivas. Algumas das quais já contempladas nos princípios já consolidados na literatura acadêmica que trata do associativismo, sobretudo urbano que inclui e atravessa duas importantes características: a formal e a informal.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Instituições formais&#039;&#039;&#039;entendidas aqui como aquelas nas quais se constituem baseadas nos diplomas legais (pessoas jurídicas de direito privado) dentre os quais o Código Civil Brasileiro. Duas ou mais pessoas convidam amigos e vizinhos com a ideia de criar uma entidade, realizam uma assembleia, elaboram um estatuto, elegem entre si lideranças para o exercício de cargos de Diretoria Executiva, Conselho Fiscal, e coordenações de comissões técnicas ou temáticas. Buscam assistência de um advogado e registram os atos constitutivos nos cartórios especializados em registros civis de pessoas jurídicas.&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Organizações informais&amp;quot; nas quais se exercitam relacionamentos de pouco ou nenhuma distinção hierárquica e dispensam (ou postergam) o expediente dos atos constitutivos ou mesmo quando são utilizados (atas das reuniões, eleições para titulares das funções de coordenação) sem os registros em cartório.&lt;br /&gt;
&lt;br /&gt;
PERSPECTIVA A PARTIR DO QUAL SE DEMONSTRA DESINTERESSE POR ACÚMULO DE CAPITAL PARA FORMAÇÃO DE UM PATRIMÔNIO MATERIAL PRÓPRIO.&lt;br /&gt;
&lt;br /&gt;
Outra perspectiva indicada é a da falta de interesse originalmente de suas lideranças de esforços iniciais de acumulo de bens patrimoniais. As fontes de receitas nos anos setenta eram, no caso, principalmente do Conselho de Moradores da Cidade de Deus eram doações de seus representantes e captação junto ao comercio local através do &#039;&#039;&#039;livro de ouro&#039;&#039;&#039;. Os recursos arrecadados eram destinados e se esgotavam diretamente nas demandas específicas básicas de gestão e projetos filantrópicos ou de reivindicações pontuais. &lt;br /&gt;
Sequer tinham uma sede própria sendo a sede administrativa o domicílio de seu presidente e os locais de reuniões com grande número de pessoas eram praças e escolas. No caso do COMOCIDE as assembleias e reuniões de diretoria acontecia num colégio particular localizado na Rua Edgard Werneck, 1615.&lt;br /&gt;
 &lt;br /&gt;
OUTRAS FONTES CRIATIVAS DE CAPTAÇÃO:&lt;br /&gt;
&lt;br /&gt;
*Festas nas  quais se vendiam produtos elaborados e doados pelos associados e a renda revertida para a instituição&lt;br /&gt;
*Rifas e bingos&lt;br /&gt;
*Excursões&lt;br /&gt;
&lt;br /&gt;
&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia e exercício formativo de cidadania.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo;comunitário; movimento&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=445</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=445"/>
		<updated>2019-02-18T01:11:31Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo;comunitário; movimento&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=444</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=444"/>
		<updated>2019-02-18T00:18:34Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palavras chave&#039;&#039;&#039;: associativismo;comunitário; movimento&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Autor&#039;&#039;&#039;: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=443</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=443"/>
		<updated>2019-02-17T17:48:04Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=442</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=442"/>
		<updated>2019-02-17T17:44:48Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ (Histórias e Quadrinhos) Cidade de Deus -50 Anos – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=441</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=441"/>
		<updated>2019-02-17T17:40:21Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=440</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=440"/>
		<updated>2019-02-17T17:37:22Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=439</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=439"/>
		<updated>2019-02-17T17:35:25Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&lt;br /&gt;
&lt;br /&gt;
&#039;&lt;br /&gt;
&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=438</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=438"/>
		<updated>2019-02-17T17:33:43Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&lt;br /&gt;
&#039;&lt;br /&gt;
&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=437</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=437"/>
		<updated>2019-02-17T17:30:14Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
O COMOCIDE – Conselho de Moradores da Cidade de Deus desde sua fundação em 1968 até a sua extinção no final dos anos 80 sempre se manteve como uma instituição catalizadora de forças. Suas lideranças promoviam a interlocução formal com o Estado oficiando suas reivindicações por políticas públicas de qualidade. E quando não atendidas adotavam estratégias de mobilização dentre as quais a mais adotada eram os &amp;quot;Abaixo-assinados&amp;quot;. Estudar o movimento associativista da época a partir da leitura dos saberes e fazeres acumulados sob ou a partir desta plataforma seria como olhar por um telescópio de longo alcance. Faz ver e lembrar com mais intensidade e entender ações e perspectivas os processos de produção cultural da época. Mas também se faz imperativo um olhar em profundidade, de microscópio. Para tanto, segue-se o recorte de alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
 &lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original previa no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&lt;br /&gt;
&#039;&lt;br /&gt;
&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=436</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=436"/>
		<updated>2019-02-17T17:11:31Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
REPRESENTATIVIDADE&lt;br /&gt;
&lt;br /&gt;
O COMOCIDE Em seu estatuto original previa no artigo 32º previa que &amp;quot;Os membros do COMOCIDE que forem de outras associações de igual natureza, poderão ser os elementos de aproximação entre as mesmas&amp;quot; garantia de forma normativa a transversalidade de suas instituições.&lt;br /&gt;
&lt;br /&gt;
Em outro artigo previa &amp;quot;as ruas de grande extensão, como também as que pelas suas características , sejam duplas, terão dois representantes e igual numero de suplentes&amp;quot;.Este representantes de ruas, vilas, praças e quadras eram escolhidos nos seus locais por voto direto pelos próprios moradores. &lt;br /&gt;
&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
CRESCIMENTO POPULACIONAL, MAIOR COMPLEXIDADE E DIVERSIDADE POLITICA, DENTRE OUTROS FATORES DEMANDARAM O SURGIMENTO DE VÁRIAS ASSOCIAÇÕES LOCAIS&lt;br /&gt;
&#039;&lt;br /&gt;
&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=435</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=435"/>
		<updated>2019-02-17T14:35:19Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente do Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=434</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=434"/>
		<updated>2019-02-17T14:14:06Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente d Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade, pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=433</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=433"/>
		<updated>2019-02-17T14:11:40Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. &lt;br /&gt;
&lt;br /&gt;
*Colaboradores estratégicos: Milton Santana, Presidente d Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Yalorixá Obacy (começou na Umbanda mas migrou para o Candomblé,sem desprezar os Orixás da Umbanda). Mãe Obacy, além de líder espiritual e fundadora do Grupo Raiz da Liberdade e pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=432</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=432"/>
		<updated>2019-02-17T13:27:21Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. Colaboradores estratégicos: Milton Santana, Presidente d Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Ialorixá Mãe Obacy que além de lider espiritual, fundadora do Grupo Raiz da Liberdade e pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado, no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=431</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=431"/>
		<updated>2019-02-17T13:22:38Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas. Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. Colaboradores estratégicos: Milton Santana, Presidente d Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa, um dos principais lideres do Protestantismo Evangélico Cristão; Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE; a Ialorixá Mãe Obacy que além de lider espiritual, fundadora do Grupo Raiz da Liberdade e pertencia à ala de compositores da Escola de Samba Acadêmicos da Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
*Em 1979 jovens dos Grupos Cultural Projeto/Revista Nós; Jornal O Amanhã/Grupo Perspectiva, dentre outros, através do Departamento cultural, sob a orientação do Professor Paulo Caramenz, realiza uma pesquisa de diagnostico social na comunidade resultando em seguida na realização do I DEBATE COMUNITÁRIO DA CIDADE DE DEUS em 21 de Abril de 1979. Em 26 de Maio numa assembleia geral ordinaria do Conselho é dado inicio ao processo eleitoral.&lt;br /&gt;
&lt;br /&gt;
*Em 1980 toma posse nova diretoria do COMOCIDE: Presidente: Silvana (importante liderança da área da Treze - uma microrregião com predominância de pequenas habitações conhecidas como Triagens); vice Presidente, Wellington França ( fundador com Lenilda Ferreira da Revista Nós); Secretário Geral, Almir Paulo de Lima (Editor do Jornal O Amanhã e fundador do Grupo de Teatro Perspectiva e Presidente da Federação das Associações de Moradores do Estado do Rio de Janeiro FAMERJ); Primeira e Segunda Tesouraria: Cristina e Agnaldo.&lt;br /&gt;
&lt;br /&gt;
Logo após anunciado pelo Juiz do TRE o resultado das eleições da nova diretoria do COMOCIDE, Lorival Oliveira desvincula-se do Conselho e funda a Associação de Moradores e Amigos da Cidade de Deus - AMCD - ocupando o prédio do clube social local.&lt;br /&gt;
&lt;br /&gt;
*Em 1982 FAMERJ e COMOCIDE realizam o I ENCONTRO POPULAR PELA SAÚDE - Evento realizado com uma estrutura semelhante à um congresso com sede nas instalações do Colégio José de Alencar (atualmente CVT - Centro Vocacional Tecnológico da FAETEC) situado à Rua Edgard Werneck, 1615.Evento este tido como um dos principais start para o surgimento do SUS - Sistema Único de Saúde. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista e primeiro Presidente, Lourival de Oliveira sendo seu Vice Presidente Waldemiro Silva, morador e comerciante na comunidade. Lorival aplica e esgota uma herança de família na reforma de um prédio local destinado no projeto original da CEHAB  ( Companhia Estadual de Habitação) para ser um clube social, e faz do prédio sede da Associação. Após 1985 foi sucedido na Presidência pela líder comunitária e religiosa Terezinha de Jesus que tinha como Secretário Geral Sr. Jessé Gil. &lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=430</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=430"/>
		<updated>2019-02-17T11:59:09Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural. tendo pois a seguir alguns exemplos:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO ACORDA CRIOULO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Movimento político que protagonizou na comunidade luta, resistência e conscientização contra a discriminação racial.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO TEATRAL RAIZ DA LIBERDADE&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Tendo o teatro e a dramaturgia política como carro chefe atravessou pelos caminhos da arte educação sendo referência no processo de afirmação e conscientização de nossas origens na cultura afro-brasileira. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GRUPO DE TEATRO PERSPECTIVA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A partir de criações coletivas atuava na formação de atorxs. Algumas de suas lideranças na época protagonizavam a formação, organização e ensaios dos grupos de dança de rua. As quadrilhas das tradicionais festas nordestinas.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;MOVIMENTO CINECLUBISTA&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
O movimento Cineclubista ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
*A Diretoria do COMOCIDE - Através de seu Departamento Cultural - procurava articular todos os movimentos e grupos culturais da época. Estimulava sinapses sociais entre suas lideranças e incentivava a pesquisa e educação continuada entre seus membros. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;FESTA DO TRABALHADOR - 1º DE MAIO&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
De todos esses movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (De um ponto em frente à Escola Alphonsus Guimarães na Rua Edgard Werneck até o outro extremo localizado em frente à &amp;quot;Porta do Céu&amp;quot; na Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos. Seu epicentro ficava na Praça Padre Julio Groten: A Festa Anual do Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; (Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas). Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens. A partir da segunda metade dos anos 70 até o inicio dos anos 80 formavam o núcleo duro: Presidente: João de Pinho; Secretário Geral: Jorge Sylvestre;Tesoureiro: Benedito Malaquias da Hora; Presidente do Conselho Fiscal: João Batista dos Santos; Coordenador do Departamento Cultural: Paulo Caramenz. Colaboradores estratégicos: Milton Santana, Presidente d Grêmio Recreativo e Escola de Samba Acadêmicos da Cidade de Deus e Sr. Paulo da Farmácia, empreendedor local, morador na Gávea; Pastor Barbosa e Padre Julio Groten, fundador da Igreja Católica Pai Eterno e São José e Presidente de Honra do COMOCIDE.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim Xavier). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista, Lourival de Oliveira aplica e esgota uma herança de família na reforma de um prédio local destinado no projeto original da CEHAB para ser um clube social, e faz do prédio sede da Associação. Tem o mérito de ter indicado Dona Terezinha reconhecida como uma das primeiras mulheres a ocuparem o cargo de presidente de uma associação de moradores de base comunitária.&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=429</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=429"/>
		<updated>2019-02-17T10:59:06Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
 &lt;br /&gt;
COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural tais como:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*o movimento de resistência e conscientização na luta contra a discriminação racial protagonizado pelo Grupo Acorda Crioulo; &lt;br /&gt;
&lt;br /&gt;
*a dramaturgia política dos grupos teatrais Raiz da Liberdade e Grupo Perspectiva. &lt;br /&gt;
&lt;br /&gt;
*O movimento Cineclubista que ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela DiDeus escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
&lt;br /&gt;
*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
&lt;br /&gt;
*De todos esse movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (Rua Edgard Werneck e Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos: A Festa Anual o Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta na Cidade de Deus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; ( Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas). Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista, Lourival de Oliveira aplica e esgota uma herança de família na reforma de um prédio local destinado no projeto original da CEHAB para ser um clube social, e faz do prédio sede da Associação. Tem o mérito de ter indicado Dona Terezinha reconhecida como uma das primeiras mulheres a ocuparem o cargo de presidente de uma associação de moradores de base comunitária.&lt;br /&gt;
&lt;br /&gt;
Autor: Wellington de Moraes França &lt;br /&gt;
&lt;br /&gt;
Nascido em João Pessoa em 1957. Morador na Cidade de Deus desde 1966. Graduado Administrador com extensão em produção cultural contemporânea e especialização em educação e curadoria em museu. Colaborador no desenvolvimento organizacional em entidades do Terceiro Setor. Ativista nos movimentos literários locais desde 1974. Atua em pesquisa e produção cultural desde 1978. Autor do livro de poemas autobiográfico TEMPORAIS – CBJE -2010. Cofundador do Sarau Poesia de Esquina em 2011.Um dos autores da Coletânea 43 novos autores da FLUPPENSA- Festa Literária Internacional das Periferias em 2012. Consultor na curadoria para a edição do livro em HQ 50 Anos da Cidade de Deus – 2016 FLUPPENSA. Autor de Abismos – Esquina Editorial – 1919. Atualmente Conselheiro na Casa de Cultura Cidade de Deus e na Agencia Cidade de Deus de Desenvolvimento Local- Comitê Comunitário.&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
	<entry>
		<id>https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=428</id>
		<title>Associativismo de base comunitária na Cidade de Deus – O Movimento</title>
		<link rel="alternate" type="text/html" href="https://homologacao2.wikifavelas.com.br/index.php?title=Associativismo_de_base_comunit%C3%A1ria_na_Cidade_de_Deus_%E2%80%93_O_Movimento&amp;diff=428"/>
		<updated>2019-02-16T22:35:20Z</updated>

		<summary type="html">&lt;p&gt;Wellington: &lt;/p&gt;
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&lt;div&gt;&amp;lt;big&amp;gt;O movimento associativista popular ou de base comunitária é uma tatuagem permanente que as lideranças e instituições formais e informais da Cidade de Deus a partir do final dos anos sessenta imprimem na história dos movimentos sociais brasileiros na luta pela democracia.&lt;br /&gt;
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COMOCIDE – Sigla que resulta da razão de ser social do Conselho de Moradores da Cidade de Deus. Como um telescópio de longo alcance, faz ver e lembrar com mais sabedoria e entender ações e perspectivas os processos de produção cultural tais como:&lt;br /&gt;
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*o movimento de resistência e conscientização na luta contra a discriminação racial protagonizado pelo Grupo Acorda Crioulo; &lt;br /&gt;
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*a dramaturgia política dos grupos teatrais Raiz da Liberdade e Grupo Perspectiva. &lt;br /&gt;
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*O movimento Cineclubista que ultrapassa as paredes do CIMPA (Centro Interescolar Municipal Pedro Aleixo) e ocupa praças e becos da favela DiDeus escrita, descrita e forjada nos canais de comunicação popular da época tais como Revista Nós e Jornal O Amanhã da CDD.&lt;br /&gt;
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*A coroação destes lugares de fala ilumina-se pelo Encontro Popular pela Saúde em 1982 como referência e a partir dele a construção do SUS - Sistema Único de Saúde.&lt;br /&gt;
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*De todos esse movimentos entrelaçados e significativa capilaridade cabe destaque à festa-comício que literalmente fechava as duas principais vias de acesso (Rua Edgard Werneck e Estrada Mal Miguel Salazar Mendes de Morais) desviando o fluxo do trânsito tanto de automóveis como de movimentos políticos: A Festa Anual o Trabalhador: o Primeiro de Maio celebrado na comunidade até o final dos anos oitenta na Cidade de Deus.&lt;br /&gt;
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&#039;&#039;&#039;COMOCIDE - Conselho de Moradores da Cidade de Deus&#039;&#039;&#039; ( Fundado em 1968 com registro no Registro Civil de Pessoas Jurídicas). Seu primeiro Presidente: Carlos Alberto D&#039;O. Sua principal área de atuação era como se chamavam as glebas nas quais foram construídas casas em centro de terreno e as triagens.&lt;br /&gt;
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&#039;&#039;&#039;Conselho Comunitário Gabinal e Margarida&#039;&#039;&#039; (Presidente: Sr Serafim). Área geopolítica local de abrangência conhecida atualmente como AP1&lt;br /&gt;
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&#039;&#039;&#039;Associação de Moradores e Amigos Monte Sião&#039;&#039;&#039; (Área de abrangência: conhecida atualmente como AP2 (nos anos oitenta, AP da PM).&lt;br /&gt;
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&#039;&#039;&#039;Associação União das Bases&#039;&#039;&#039; (Presidente: José Carlos)&lt;br /&gt;
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&#039;&#039;&#039;AMCD - Associação de Moradores Cidade de Deus&#039;&#039;&#039; - surge como uma dissidência do COMOCIDE. Seu principal protagonista, Lourival de Oliveira aplica e esgota uma herança de família na reforma de um prédio local destinado no projeto original da CEHAB para ser um clube social, e faz do prédio sede da Associação. Tem o mérito de ter indicado Dona Terezinha reconhecida como uma das primeiras mulheres a ocuparem o cargo de presidente de uma associação de moradores de base comunitária.&lt;br /&gt;
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Autor: Wellington de Moraes França(Cidade de Deus).&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wellington</name></author>
	</entry>
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